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Carrion_Crow

Stealth Head

+47945


Submissions

7
Candyman
Aug. 2, 1976
Colt Park

What a treat. Why is this show undervalued? C'mon folks, don't let a good AUD scare you. This is a beaut, with the crowd part of the party.
3
They Love Each Other
Aug. 2, 1976
Colt Park

Highlight from the first set. Keith sets it on fire. Jerry is in top form.
3
Tennessee Jed
Aug. 2, 1976
Colt Park

The '76 ones ted to plod along a bit too much for my taste, but Jerry tears this one right up with a good shitkickin' solo and great tone.
2
Mama Tried
Aug. 2, 1976
Colt Park

Continues the run of perfect Mamas from the Summer tour. This one is short and sweet, perfect vocals.
2
Samson and Delilah
July 18, 1976
Orpheum Theater

Full of strut. The band is in perfect form, everyone is on. Precise, strong, and full of swagger.

Comments

Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Agreed with the above comment, and this one seems to capture that '73 meltdown wildness in a 'lightning in a bottle' concision that makes this one arguably the best Playin' of '76.
Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Sorry about the reposts. Computer problems.
Dancin' in the Streets
Oct. 10, 1976
Oakland-Alameda County Coliseum

About six minutes in the band hits the warp drive, followed not one, not two, but three or four shifts in tone and direction, creating whole new feelings and moods. It's unique and exploratory, while also hitting highlights of tight-assed superfunk. This is one of the best of the year, in a year full of just brilliant versions. The long transition to Wharf Rat is just amazing, and it's exactly what I listen for in the 1000s of hours I devote to this music.
Friend of the Devil
Oct. 10, 1976
Oakland-Alameda County Coliseum

Oomph and swagger here, with Donna's dulcet harmonies adding just that sweet touch that make the ballad interpretation so beautiful (though I'm partial to the uptempo bluegrass versions overall). This has a pulse that pushes against the tempo ever so nicely, helping the swing never drag. Keith leads a beautiful interlude during the middle section -- but then Jerry takes him to school with a blazing solo.