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Carrion_Crow

Stealth Head

+47945


Submissions

6
Might As Well
July 18, 1976
Orpheum Theater

Barnburning storm burster so strong it blows out speakers around 03:30 in. Kicks off the party with Jerry in full form, vox and guitar.
3
New Minglewood Blues
July 18, 1976
Orpheum Theater

Maybe not everyone's favorite song (or anyone's), but this is the ballsiest most swaggering one since they busted it out. Great mix helps, too.
7
Cassidy
July 18, 1976
Orpheum Theater

Note for note perfection. Cassidy was a blazing glory during this whole Summer tour.
3
Johnny B. Goode
July 17, 1976
Orpheum Theatre

Keith could play a piano just like ringing a bell. Jeez, but he just slays it here. Show this to your kid learning the keyboard, damn.
5
Mama Tried
July 17, 1976
Orpheum Theatre

It's got everything nice about the '76 sound: Crisp and clean while laid back. Perfect execution.

Comments

Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Agreed with the above comment, and this one seems to capture that '73 meltdown wildness in a 'lightning in a bottle' concision that makes this one arguably the best Playin' of '76.
Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Sorry about the reposts. Computer problems.
Dancin' in the Streets
Oct. 10, 1976
Oakland-Alameda County Coliseum

About six minutes in the band hits the warp drive, followed not one, not two, but three or four shifts in tone and direction, creating whole new feelings and moods. It's unique and exploratory, while also hitting highlights of tight-assed superfunk. This is one of the best of the year, in a year full of just brilliant versions. The long transition to Wharf Rat is just amazing, and it's exactly what I listen for in the 1000s of hours I devote to this music.
Friend of the Devil
Oct. 10, 1976
Oakland-Alameda County Coliseum

Oomph and swagger here, with Donna's dulcet harmonies adding just that sweet touch that make the ballad interpretation so beautiful (though I'm partial to the uptempo bluegrass versions overall). This has a pulse that pushes against the tempo ever so nicely, helping the swing never drag. Keith leads a beautiful interlude during the middle section -- but then Jerry takes him to school with a blazing solo.