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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

17
Good Lovin'
Dec. 31, 1978
Winterland Arena

Blissful dancealong. As clear a statement of what the good times feeling of the later Donna era could sound like. Nice times.
17
Drums
Dec. 31, 1978
Winterland Arena

19 minutes, man it gets weird: whistles, gamelans, melodica solo, bird calls, kazoos, explosions: was every one in on the jam? Anyone remember?
6
Playin' In The Band
Oct. 23, 1971
Easttown Theatre

Adrenaline bursting hard driver. Exciting. Jerry at 3:00 solos in all 720 degrees, just propulsive. Give her a spin.
21
Not Fade Away
May 3, 1972
Olympia Theater

Flawless trance-inducing NFA with a perfect transition into GDTRFB. Note for note perfect show.
10
Sing Me Back Home
Sept. 10, 1972
Hollywood Palladium

Perfect. May have the best vocal harmonies of all of them. Not here because of low-level boards? Try headphones, heads.

Comments

Estimated Prophet
March 18, 1977
Winterland Arena

Really underrated. This one hits all the high-points, but also shows how much innovation and work they were putting into it. Lots of new effects, echo, and spooky outre weirdness that emphasize how cracked-up the protagonist in the song is. Was it already Dan working the board at this point? Anyone know?
Brown Eyed Women
March 18, 1977
Winterland Arena

Overlooked. This is a brilliant version.
Sugaree
March 18, 1977
Winterland Arena

Keith is glorious throughout this beauty. I'll admit when I see a 14 minute Sugaree there's a part of me that says 'uh-oh, hope it doesn't drag....' But this is just pristine throughout: Hot jams, clear ideas and solos, with mindbending guitar effects that think are the first-ever for their kind. And that Godchaux fella tickling the keys. Nice one!
Its All Over Now
March 18, 1977
Winterland Arena

After two shaky songs to start the first set Bobby comes steaming in with this beauty.
Morning Dew
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

For any era for Morning Dews this is top shelf. Drops on the heads out of nowhere, capping off a good - but not necessarily great - 2nd set.