headyversion

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Carrion_Crow

Stealth Head

+49637


Submissions

7
Ramble On Rose
Sept. 15, 1972
Boston Music Hall

Jerry's vocals are rarely stronger. At one point he's growling it out like he's spittin' nails.
10
He's Gone
Sept. 15, 1972
Boston Music Hall

Kicking off a killer 2nd set, with a beautiful outro and a smooth smooth jam.
3
Jack Straw
Sept. 15, 1972
Boston Music Hall

In spite of some tuning problems, this one cooks. This whole set showcases Jerry's fast frets. Great stuff.
2
El Paso
Sept. 15, 1972
Boston Music Hall

Sweet master class on background soloing with Jerry's lickety-split runaway desperado fretwork backing Bobby up.
6
Black Throated Wind
Sept. 15, 1972
Boston Music Hall

This starts with understated, almost hesitant steps, then builds into a towering emotional rage. Its arc fits its words. Great stuff.
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Comments

Estimated Prophet
March 18, 1977
Winterland Arena

Really underrated. This one hits all the high-points, but also shows how much innovation and work they were putting into it. Lots of new effects, echo, and spooky outre weirdness that emphasize how cracked-up the protagonist in the song is. Was it already Dan working the board at this point? Anyone know?
Brown Eyed Women
March 18, 1977
Winterland Arena

Overlooked. This is a brilliant version.
Sugaree
March 18, 1977
Winterland Arena

Keith is glorious throughout this beauty. I'll admit when I see a 14 minute Sugaree there's a part of me that says 'uh-oh, hope it doesn't drag....' But this is just pristine throughout: Hot jams, clear ideas and solos, with mindbending guitar effects that think are the first-ever for their kind. And that Godchaux fella tickling the keys. Nice one!
Its All Over Now
March 18, 1977
Winterland Arena

After two shaky songs to start the first set Bobby comes steaming in with this beauty.
Morning Dew
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

For any era for Morning Dews this is top shelf. Drops on the heads out of nowhere, capping off a good - but not necessarily great - 2nd set.
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