headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

3
Hurts Me Too
Feb. 8, 1970
Fillmore West

Swamp blooze. Pigpen was well on this night.
4
Black Peter
Feb. 7, 1970
Fillmore West

Starts a bit rough, but the final solo and out chorus builds and builds into a blazing triumph.
6
Sawmill
Feb. 7, 1970
Fillmore West

Enter the pedal steel. Goddamned sweet sounds here. It's unfortunately cut off, but worth every precious second.
4
Turn On Your Love Light
Feb. 6, 1970
Fillmore West

Pure '70 Dead. Like the HH before, this one grows steadily up to the full berserk, rather than exploding from go. Pig/Bobby outro is immortal.
7
High Time
Feb. 6, 1970
Fillmore West

Gorgeous harmonising and soulful singing. A clean, strong version that never drags.
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Comments

Estimated Prophet
Feb. 26, 1977
Swing Auditorium

What a brain-sizzler. Jerry's 20-second solo around 3:30 just ignites the air into a pillar of fire. His tone is of ferocious arch-angelic madness, just like the song sez, eh? What an intro for this quirky off-kilter song for a crowd also treated to 1st-time Terrapin.
New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
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