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Carrion_Crow

Stealth Head

+49697


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.
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Comments

Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
Viola Lee Blues
Dec. 1, 1966
Studio demo

Definitely shows the progress they were making towards the Anthem era of deep deep psychedelic group-mind.
Cold Rain and Snow
Dec. 1, 1966
Studio demo

The dates may be dubious, but the playing isn't. This rocks. Check out Phil throwing bombs, way back in '66.
Good Morning Little Schoolgirl
Nov. 29, 1966
The Matrix

Pretty much a pimp anthem at this point. This one is dirty... and an amazing statement from '66 about where they'd go with Pig in the lead for the next five years.
Early Morning Rain
Nov. 29, 1966
The Matrix

Ultra-rarity and so much fun. What a treat.
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