headyversion

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Carrion_Crow

Stealth Head

+49652


Submissions

18
Black Throated Wind
Aug. 25, 1972
Berkeley Community Theatre

Flawless. It just leaves me breathless how good this show is.
31
Friend of the Devil
Aug. 25, 1972
Berkeley Community Theatre

Sparkles. Has an electric country sound that just crackles with energy. Perfect execution.
28
Black Peter
Aug. 25, 1972
Berkeley Community Theatre

An ultimate performance. Jerry's voice is in perfect shape. Powerful, chilling version that will make your hair stand on end. Shamefully overlooked.
16
Loser
Aug. 25, 1972
Berkeley Community Theatre

Powerful tight playing. C.Miller cleanup, boys playing the 1st set like their lives depended on it. Peak Dead.
19
He's Gone
Aug. 25, 1972
Berkeley Community Theatre

Note for note precise, beautiful playing. The outro is lovely and doesn't descend into madness. Donna gives it a nice gospel touch.
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Comments

Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
Viola Lee Blues
Dec. 1, 1966
Studio demo

Definitely shows the progress they were making towards the Anthem era of deep deep psychedelic group-mind.
Cold Rain and Snow
Dec. 1, 1966
Studio demo

The dates may be dubious, but the playing isn't. This rocks. Check out Phil throwing bombs, way back in '66.
Good Morning Little Schoolgirl
Nov. 29, 1966
The Matrix

Pretty much a pimp anthem at this point. This one is dirty... and an amazing statement from '66 about where they'd go with Pig in the lead for the next five years.
Early Morning Rain
Nov. 29, 1966
The Matrix

Ultra-rarity and so much fun. What a treat.
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