headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

9
Sugaree
Sept. 10, 1972
Hollywood Palladium

So perfect, it's hard to believe that people could improvise music like this together. This amazing show deserves a clean-up!
14
Big River
Dec. 6, 1973
Public Hall

Overlooked: Between one of this site's favorite HCSs and one of its favorite Dark Stars is a perfect, articulate, and virtuoso version of Big River.
3
Casey Jones
Oct. 28, 1972
Cleveland Public Hall

Just outrageous. Problematic show b/c of mix and cuts in the source. Not here: just a blizzard of jam.
4
Greatest Story Ever Told
Oct. 28, 1972
Cleveland Public Hall

Show is overlooked b/c mix problems, but they're absolutely on fire and this version shreds like all get-out. Call C. Miller for this one please!
6
Playin' In The Band
Oct. 28, 1972
Cleveland Public Hall

Could be massively heady, but Billy is so high in the mix that it's hard to follow others. Any cleaner versions out there? Has everything but the mix.
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Comments

Cream Puff War
July 29, 1966
P.N.E. Garden Auditorium

Truly fantastic indeed. You can fully hear how they ripped Caution out of Cream Puff War in the years ahead. Also: Billy is a goddamned monster on this.
Sitting on Top of the World
July 29, 1966
P.N.E. Garden Auditorium

Completely bonkers. Sounds like ten-thousand rubber pingpong balls shot through a particle accelerator.
Cream Puff War
July 17, 1966
Fillmore Auditorium

There's some debate about the dates and tapes in the different Archive and Setlists.net listings. Some claim that this is actually the set from 16th, but this is undoubtedly a different version than the one played on the 16th... for starters it's a full minute and a half shorter. Of the two the 16th is better in my opinion: tighter and more expansive, showing off the how they could be wild, muscular, dangerous, and virtuoso. Great to have this record of them both today. Enjoy!
Dancin' in the Streets
July 16, 1966
Fillmore Auditorium

The tension between their melody-solo-melody format on the psychedelic pop songs and their need to stretch-out the forms into longer jams is present throughout this show. The Viola Lee, the Cream Puff War, and especially this Dancin' are already going way further out.
Cold Rain and Snow
July 16, 1966
Fillmore Auditorium

S p e e d y indeed. The whole show has a benzedrine feeling to it.
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