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Carrion_Crow

Stealth Head

+49642


Submissions

2
Brown Eyed Women
Oct. 28, 1972
Cleveland Public Hall

One of those note-for-note perfect versions that leave you staggered and smiling. Just beautiful.
2
Sugaree
Oct. 28, 1972
Cleveland Public Hall

Not a song I usually get so swept up by, but on this one Jer's vocals are just perfect, capturing the sweetness and sorrow of the lyrics. A beaut.
4
China Cat Sunflower -> I Know You Rider
Oct. 28, 1972
Cleveland Public Hall

High-powered and tight. This show has nothing but complaints about the mix on the archive. Listen to the Ashley transfer, and see what you've missed.
2
Tomorrow Is Forever
Oct. 27, 1972
Veterans' Memorial Hall

Such sweet harmony, such sweet sentiment - turning on a dime after the white-hot Dew. Shows the beautiful country chops Donna at her best brought.
2
Nobody's Fault But Mine
Oct. 27, 1972
Veterans' Memorial Hall

Jam starts at around 05:45, never fully forms. Am I crazy? This sounds like NFBM and it continues about 3min into TOO. Very very cool stuff here.
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Comments

Cream Puff War
July 29, 1966
P.N.E. Garden Auditorium

Truly fantastic indeed. You can fully hear how they ripped Caution out of Cream Puff War in the years ahead. Also: Billy is a goddamned monster on this.
Sitting on Top of the World
July 29, 1966
P.N.E. Garden Auditorium

Completely bonkers. Sounds like ten-thousand rubber pingpong balls shot through a particle accelerator.
Cream Puff War
July 17, 1966
Fillmore Auditorium

There's some debate about the dates and tapes in the different Archive and Setlists.net listings. Some claim that this is actually the set from 16th, but this is undoubtedly a different version than the one played on the 16th... for starters it's a full minute and a half shorter. Of the two the 16th is better in my opinion: tighter and more expansive, showing off the how they could be wild, muscular, dangerous, and virtuoso. Great to have this record of them both today. Enjoy!
Dancin' in the Streets
July 16, 1966
Fillmore Auditorium

The tension between their melody-solo-melody format on the psychedelic pop songs and their need to stretch-out the forms into longer jams is present throughout this show. The Viola Lee, the Cream Puff War, and especially this Dancin' are already going way further out.
Cold Rain and Snow
July 16, 1966
Fillmore Auditorium

S p e e d y indeed. The whole show has a benzedrine feeling to it.
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