headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

7
Around and Around
Sept. 26, 1972
Stanley Theatre

Usually a toss-off for me, and maybe it's Chuck Berry's passing that makes me think of it, but this version kicks serious ass. Deliberate and strong.
10
Bird Song
Sept. 26, 1972
Stanley Theatre

Crisp, articulate, deliberate. This is as strong a statement about what this song could be in '72 as I know. Airplay levels of concision.
7
Cold Rain and Snow
Sept. 26, 1972
Stanley Theatre

Always loved this one early in the first set, 'cause it meant the boys meant business. This one has a loose, comfortable sound, but with high energy.
8
Bertha
Sept. 24, 1972
Palace Theatre

Masterclass from the Philzone here. He tears this one up.
9
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.
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Comments

Cream Puff War
July 16, 1966
Fillmore Auditorium

Maybe the best one so far. They nail the changes in meter and syncopated transitions better than any time before it in rehearsal or live, and the jam just kicks ass, closing out a set that must have blistered the unsuspecting's eyeballs. I think they shelved parts of it, but mined it for juicy bits that you can pick up in the Anthem of the Sun era: It sounds to my rusty old ears that there are pieces of Cream Puff War that then informed Caution, and also parts of the CE>TOO suite.
Beat it on Down The Line
July 16, 1966
Fillmore Auditorium

Bobby's just a baby and he sounds like a demented carny. "Surf punk" doesn't even begin to describe it. I love this so much.
Dancin' in the Streets
July 3, 1966
Fillmore Auditorium

It's incorrectly listed as the first Stealin' track on this link. You can also get to it - and y'all really should - by clicking on the link, "check for other copies", then follow the white rabbit put there by the heroic Charlie Miller for a whole set of other beauties from this show.
New Minglewood Blues
May 19, 1966
Avalon Ballroom

Proof that Bobby didn't start shrieking in the '80s here. They sound so punk-rock, 10 years before that scene hit California. So cool to go all the way back to the beginning. Check out this whole show, for one of the first live recordings of a whole set out there. Thanks Archive!
Hurts Me Too
May 19, 1966
Avalon Ballroom

Pigpen was a fully formed and mature blues singer at this point. The rest of the band is still getting it together, still primal and not fully formed. But Pig... oh man. Pure Pig.
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