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Carrion_Crow

Stealth Head

+49652


Submissions

7
Around and Around
Sept. 26, 1972
Stanley Theatre

Usually a toss-off for me, and maybe it's Chuck Berry's passing that makes me think of it, but this version kicks serious ass. Deliberate and strong.
10
Bird Song
Sept. 26, 1972
Stanley Theatre

Crisp, articulate, deliberate. This is as strong a statement about what this song could be in '72 as I know. Airplay levels of concision.
7
Cold Rain and Snow
Sept. 26, 1972
Stanley Theatre

Always loved this one early in the first set, 'cause it meant the boys meant business. This one has a loose, comfortable sound, but with high energy.
8
Bertha
Sept. 24, 1972
Palace Theatre

Masterclass from the Philzone here. He tears this one up.
9
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.

Comments

Cold Rain and Snow
March 25, 1966
Trouper's Hall

Apparently Bear was recording this to be played back on mono, so the organ jam would be featured but not so explosive. Whodathunkit? In any case, this is just so fucking brilliant that I want to jump in my time machine and zip back just to be a spectral hallucination vibrating just out of the corner of Billy's eye as he kicks the shit out of this beautiful packed-with-energy annuciato: The Dead are Coming, Here Come the Dead.
Beat it on Down The Line
March 12, 1966
Danish Center

Baby Bobby: Shimmy shimmy shake shake, baby baby baby! This is twisty rock and roller Baby Bobby stuff here. Consider for a moment that he was 18 years old at this point. Hot damn.
You Don't Love Me
Feb. 25, 1966
Ivar Theater

Brilliant rarity.
Caution
Feb. 25, 1966
Ivar Theater

Listening to all of '66 and this feels like the very first fully realized one.
Cold Rain and Snow
Feb. 25, 1966
Ivar Theater

Fans of this song need to hear this! It's down to the bare bones, young, raw and full of passion.