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Carrion_Crow
Stealth Head
+49652
Submissions
7
Ramble On Rose
Sept. 15, 1972
Boston Music Hall
Jerry's vocals are rarely stronger. At one point he's growling it out like he's spittin' nails.
10
He's Gone
Sept. 15, 1972
Boston Music Hall
Kicking off a killer 2nd set, with a beautiful outro and a smooth smooth jam.
3
Jack Straw
Sept. 15, 1972
Boston Music Hall
In spite of some tuning problems, this one cooks. This whole set showcases Jerry's fast frets. Great stuff.
2
El Paso
Sept. 15, 1972
Boston Music Hall
Sweet master class on background soloing with Jerry's lickety-split runaway desperado fretwork backing Bobby up.
6
Black Throated Wind
Sept. 15, 1972
Boston Music Hall
This starts with understated, almost hesitant steps, then builds into a towering emotional rage. Its arc fits its words. Great stuff.
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Comments
I Know You Rider
Feb. 25, 1966
Ivar Theater
You'd almost call this a Phil song at this point in the early history of the band. So cool to hear it in its infancy.
On The Road Again
Feb. 25, 1966
Ivar Theater
Pre-proto-Dead, and so so very cool. There's some debate around the date, but it's on the archive as the Ivar Theater, so what difference does it make! Jerry's voice is soooooo young.
Caution
Jan. 8, 1966
Fillmore Auditorium
Rippin' and trippin'. It's messy, wild and reckless.... with an edge-of-chaos intensity that can still blow your mind almost 54 years later. ^^Very cool note there about a possible influence on Tom Waits. No doubt about it, he surely heard the Dead in California in their early years. Cool association.
Can't Come Down
Nov. 3, 1965
Golden State Studios
Bob Dylan's influence on the Dead is evident from the lyrics and delivery of this oldest of the old demos. Harmonica, snarling vocals, proto-punk social commentary of the Highway 61-era. Anyone out there think they started listening to Dylan in the 90s???
Uncle John's Band
Dec. 31, 1976
Cow Palace
The first one in over two years, covering both the hiatus and all of '76. They sound just a wee bit tuckered out in the first moments (this being at leat 4 full hours of music into the night) but they rock the ever-lovin' shit out of it by the end in a 'here comes '77' way that jut slays me.
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When I Paint My Masterpiece, Crisler Arena, April 6, 1989
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