headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

4
Let It Grow
July 25, 1974
International Amphitheater

Tight and hot. Something in the vocals at this show went just perfect too, adding to the intensity.
6
Loser
July 25, 1974
International Amphitheater

Greatness in this one: Powerful ensemble vocals.
6
Space
July 21, 1974
Hollywood Bowl

Phil & Ned: By far the most compact and Space-like. Gargantuan Martian landscapes and insect-shaped UFOs. Sounds like Frippertronics. Heavy stuff.
4
Around and Around
July 21, 1974
Hollywood Bowl

Fully rockin' blowout to close a lovely summertime 1st set: Not my favorite song, but this one really kicks.
20
Let It Grow
July 19, 1974
Selland Arena

Mega-monster just dives into complete madness with a Phil solo for the ages and wild tweaking from all sides. Much fun.
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Comments

Help on the Way
Dec. 31, 1976
Cow Palace

Best Help>Slip without Frank out there. Prove me wrong!
Scarlet Begonias
Dec. 31, 1976
Cow Palace

Phil's running counterpoint to Jerry throughout the long jam is a masterclass on its own. Love the deconstruction of the outro theme before the finally land on it and come together like presto! hop! magic. As much as I loved Scarlet>Fire, I treasure the solo Scarlets too.
Good Lovin'
Dec. 31, 1976
Cow Palace

That's a mysterious little theme they bring in twice, but it doesn't sound that much like the Samson to me. It seems way too precise to be totally spontaneous, as they all land on it both times without a single note or beat a hair out of place. Maybe they were rehearsing a new song or jam that didn't survive into '77? Cool stuff.
Wharf Rat
Dec. 31, 1976
Cow Palace

The transition in from a brilliant Eyes is a thing of pure beauty. Man, could a good sweet Wharf Rat bring you back in to reality when you needed it most, and here everyone is just whispering and cooing into your ears in just the sweet spot. Check out the gentle Donna tones around 5:30 and tell me that wouldn't put peace into your heart? But then of course trickster Jerry comes in with that biting tone (some guitarist out there know what he was using then?) that would tear through the world like a flaming buzzsaw. Great version in a wall-to-wall highlights show.
Eyes Of The World
Dec. 31, 1976
Cow Palace

Fast and precise, with beautiful ensemble playing... but that transition into Wharf Rat is the smoothest just-exactly-perfect thing I've heard. Spectacular transition: Must have pulled a lot of trippin' hippies out of a wild spin and back into the sweet sweet mellow mellow.
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