headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48072


Submissions

2
Samson and Delilah
July 18, 1976
Orpheum Theater

Full of strut. The band is in perfect form, everyone is on. Precise, strong, and full of swagger.
6
Might As Well
July 18, 1976
Orpheum Theater

Barnburning storm burster so strong it blows out speakers around 03:30 in. Kicks off the party with Jerry in full form, vox and guitar.
3
New Minglewood Blues
July 18, 1976
Orpheum Theater

Maybe not everyone's favorite song (or anyone's), but this is the ballsiest most swaggering one since they busted it out. Great mix helps, too.
7
Cassidy
July 18, 1976
Orpheum Theater

Note for note perfection. Cassidy was a blazing glory during this whole Summer tour.
3
Johnny B. Goode
July 17, 1976
Orpheum Theatre

Keith could play a piano just like ringing a bell. Jeez, but he just slays it here. Show this to your kid learning the keyboard, damn.
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Comments

Black Throated Wind
Sept. 27, 1972
Stanley Theatre

This starts so calm and sane and soulful, then does that ramping-up thing and becomes a manic hurtling 18-wheeler. '72 may be the best year for BTW and this one is right up there with 'em.
Drums
Jan. 24, 1969
Avalon Ballroom

Admit it Glyn... that was you yelling all over the end of this, wasn't it? ;^)
The Other One
Feb. 28, 1969
Fillmore West

The Dead invented hard rock. There it is. This is when they were at their most dangerous, their most 'hide the kids' threatening to the squares. This version shoots you out of the cannon and blows you to a million pieces, before landing back safely at the beautiful Cryptical to follow: Jagged and heavy peaks, scary circles within circles and loops and fractal roller coasters where you're either on the bus or under it. Those who know don't always say, and those who say don't always know....
Promised Land
April 27, 1977
Capitol Theatre

Video link please? They all seem to have been removed.
Samson and Delilah
April 26, 1977
Capitol Theater

Swagger and strut. Bobby just owns the vocals, plus what's been said here already about Keith, who's just brilliant throughout this underrated show.
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