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Carrion_Crow

Stealth Head

+49667


Submissions

14
Wharf Rat
Oct. 16, 1974
Winterland Arena

Coming out of a 48 min jam to open the set, this one is like a small visitation before another huge jam>Eyes. A big epic indeed.
8
Playin' In The Band
Sept. 21, 1974
Palais Des Sports

Overlooked space-jazz masterwork. Mercurial and vast. Listen to it as the outcome of the Space before it and BANG! you're on a deep ride furthur.
6
Space
Sept. 21, 1974
Palais Des Sports

10mins of absolute weirdness. Incorrectly listed as Seastones - but Jerry, Keith and Billy are there with Phil and Ned. An outrageous corker. Scary.
4
Bertha
Sept. 21, 1974
Palais Des Sports

Show opener with mix off: not perfect but interesting to hear Phil/Bobby interplay (almost exclusively), which is rare for '74 recordings.
10
China Cat Sunflower -> I Know You Rider
Nov. 19, 1972
Hofheinz Pavilion

Uncategorizably brilliant transition jam. Sweet sweet Rider. Overshadowed by the immortal PITB that follows. Give a spin, it won't disappoint.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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