headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

12
Loser
Dec. 10, 1971
Fox Theatre

A triumphant, anthemic version that shows another, powerful side to it. Great piano work gives it a nice flavor.
8
Goin' Down The Road Feelin' Bad
Dec. 14, 1971
Hill Auditorium

Just transcendentally perfect. The whole set from Cryptical on is monumental '71 headiness.
11
Playin' In The Band
Dec. 14, 1971
Hill Auditorium

About here Playin' starts stretching out. Only 7 min long, but there's a lot of charge here: Listen to all of them thinking "let's take this furthur".
13
Black Peter
Dec. 14, 1971
Hill Auditorium

A little more love for the early ones? A strong and powerful version that never loses focus. Beautiful.
10
Truckin'
Dec. 14, 1971
Hill Auditorium

Bristling hot show opener shows how they meant business. Dec. '71 is special transition time and this one pins you to the wall with energy.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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