headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

21
Playin' In The Band
June 30, 1974
Civic Center

Deep and weird, capping a set full of loose fun. They get into it and it's all business with a wild trans into UJB, slipknot tease, and a great outro.
16
Dire Wolf
June 30, 1974
Civic Center

Seems like they're just having a great old time jamming together. A loose, fun-filled 1st set capping off a great month in Dead history.
9
Dark Star
April 21, 1969
The Ark

A beautiful monster with intrepid intricacies throughout. Rhythmic Jerry investigations of the theme plus Tom C. on celeste.
2
Sugar Magnolia
April 8, 1971
Boston Music Hall

Super high energy, lot's of fun. They came to gether nicely on this one.
19
Playin' In The Band
May 3, 1972
Olympia Theater

Massive and dark with fantastic interplay between everybody on stage. Doesn't quite melt down, but dances next to chaos just perfectly.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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