headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49707


Submissions

4
The Eleven
March 30, 1968
Carousel Ballroom

The China Cat>The Eleven sequence was always very cool and this one burns hot and fast. Don't wanna just put all of 'em up here, but this is a cooker.
5
Dark Star
March 30, 1968
Carousel Ballroom

A short little gem: Nice clear solo ideas and tight ensemble playing with that bursting-at-the-seams energy from the Anthem era.
2
The Other One
March 30, 1968
Carousel Ballroom

It's '68 and the boys are on fire. This one pins you to the wall all its the sharp turns and jagged explosiveness. Hard pschedelic rock.
7
The Eleven
April 21, 1969
The Ark

So blisteringly hot. All three Ark '69 shows are brilliant, but this is the clearest example of their brilliance on Eleven.
4
Playin' In The Band
Dec. 15, 1971
Hill Auditorium

Just listened to it 4x in a row, something I never do. The whole intense Playin' universe packed into under 7min. Could be my favourite '71.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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