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Carrion_Crow

Stealth Head

+49707


Submissions

10
Black Throated Wind
Dec. 6, 1973
Public Hall

Perfectly executed arc of mounting emotions in this great version. The band is so tight throughout this show.
16
Uncle John's Band
Dec. 1, 1973
Music Hall

Righteous beauty from probably the most seriously overlooked show from '73 (surrounded by the big beasts in Boston) inside a Playin' just soooo good.
14
Playin' In The Band
Dec. 1, 1973
Music Hall

Outrageous oversight that this crystal clear beauty isn't here. Bobby's vocals, brilliant ensemble playing, glorious UJB in the sandwich. DIG IT!!!
8
They Love Each Other
Dec. 1, 1973
Music Hall

Great version, yeah its Boston '73. But probably the best Stage Banter ever: Check out 09:49 explaining why they aren't going to play St. Stephen.
5
Loser
Nov. 23, 1973
County Coliseum

Nov. '73 and there isn't a bad show in it. This Loser has something special in its tightness and the tempo (doesn't drag). Damn they were good.

Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.