headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49707


Submissions

13
Sugar Magnolia
June 24, 1970
Capitol Theatre

2nd ever in a triple Dark Star sandwich. Choral singing, not fully developed but part of some of the best damned Dead you'll ever hear. Believe me.
9
Don't Ease Me In
June 24, 1970
Capitol Theatre

Acoustic version, beautiful and tight. Don't miss the acoustic set in the rush to the late show.
6
Brown Eyed Women
July 25, 1974
International Amphitheater

Energetic and tight with great harmonies and strong soloing.
7
Black Throated Wind
July 25, 1974
International Amphitheater

Damned strong version building up nicely to the towering triumph, "you've done better by me than I've done by you". Strong stuff.
11
Deal
Oct. 2, 1977
Paramount Theatre

Bursting energy ending the 1st set in blazing glory. The shout chorus is outrageously hot. Has to be one of Donna's best nights ever.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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