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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49712


Submissions

11
Let It Grow
Oct. 25, 1973
Dane County Coliseum

Been listening to this every chance I can all week. The band's so tight, Bobby's singing passionate and precise, Jer's musicality soaring. Amazing.
6
Goin' Down The Road Feelin' Bad
Oct. 25, 1973
Dane County Coliseum

Exhuberent and triumphant. Closes out one hellofa 2nd set and kicks like a rocket.
15
Stella Blue
Oct. 25, 1973
Dane County Coliseum

Sweet and subtle: A beautiful come down after the muscular peak Eyes - but the set isn't done and they ramp it up again for more. A gem of a show.
3
Casey Jones
Oct. 23, 1973
Metropolitan Sports Center

Interrupted by bad fight in front of the stage. Phil goes bonkers, calls the security guard "Asshole". Weird scene/bad vibes.
8
Black Throated Wind
Oct. 23, 1973
Metropolitan Sports Center

Keith on organ just kills it. He's hot in the mix and the song has a totally different feel for it. Show overshadowed by Nov.-Dec. '73 but worth it.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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