headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49712


Submissions

5
Playin' In The Band
Sept. 26, 1973
War Memorial

Eclectic melodicism and mood shifts make this beauty at times sound like outer space, at times like a bossa sunrise on the beach. A '73 gem.
5
Brown Eyed Women
Sept. 26, 1973
War Memorial

Sweet and tight. Soulful vocals and - if I'm not wrong - Phil singing harmony (???). A great show from the fall '73 tour.
12
Playin' In The Band
Sept. 26, 1972
Stanley Theatre

Sweet version with long Jer and Bobby double solo. Hits all the '73 highs: tight, long jam, with lots of Jerry's fast-mellow and space bugs.
4
Let It Grow
Sept. 24, 1973
Civic Arena

Bobby's neck vein-poppin vocals and Phil's full-throttle power make this a great one. Sept.'73 horns are low in the mix for a cool live/studio effect.
7
Mississippi Halfstep Uptown Toodeloo
Sept. 24, 1973
Civic Arena

Steady rockin' version with beautiful outro.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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