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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49737


Submissions

5
Row Jimmy
Sept. 7, 1973
Nassau Coliseum

Drags at first, but Jer's soloing builds beautifully on his new Wolf. Historical if only for that but also a passionate, sweet version.
3
Goin' Down The Road Feelin' Bad
Aug. 1, 1973
Roosevelt Stadium

Jer's b-day. Sweet jamming version with great vocals, in spite/because of what sounds like a cold/sore throat. Brilliant show all around.
3
Casey Jones
Aug. 1, 1973
Roosevelt Stadium

Closes 1st set with a smooth but up-and-jumping version.
2
Goin' Down The Road Feelin' Bad
July 31, 1973
Roosevelt Stadium

Jumping version capping off a blazingly great show. With a nice mellow outro, too. The crowd and the boys just seem so full of joy and love.
5
Loose Lucy
July 31, 1973
Roosevelt Stadium

The boys experimented with Lucy till they dropped her and this here's a gritty gutbucket blues version. Essential '73 for you Lucy chasers out there.

Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.