headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49772


Submissions

17
Eyes Of The World
March 19, 1973
Nassau Coliseum

Tight and right, with beautiful jamming and solid groupthink throughout. Headphones only for archive version: HELP US ON THIS ONE CHARLIE MILLER!!!
10
Playin' In The Band
March 19, 1973
Nassau Coliseum

Headphones only (sound problems), but so worth it - liquid crystal lightning Jerry jaming at it's best. Deserves many listens.
2
Tennessee Jed
March 19, 1973
Nassau Coliseum

Archive copy sounds like its recorded through a tin can, but excellent groove, jam. For headphones only.
6
China Cat Sunflower -> I Know You Rider
March 19, 1973
Nassau Coliseum

High energy! Please oh please where are the better sound quality versions? Where are the boards?
17
Morning Dew
March 16, 1973
Nassau Coliseum

Massive and powerful. Jerry and Keith are just brilliant. OK, that all from me on this great show.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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