headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49637


Submissions

1
Playin' In The Band
June 4, 1976
Paramount Theatre

This is a weird one. At times it seems like they forgot it was PiTB and went back to the HSF jam. Fun, but waaaaaaaaay loose.
1
Lazy Lightnin' -> Supplication
June 4, 1976
Paramount Theatre

Short, sweet, brand new, and flawless.
1
Friend of the Devil
June 4, 1976
Paramount Theatre

Brilliant early "slow version". I always prefered the desperado fast-paced ones, but this turns into a brilliant exploration and improv vehicle.
3
Uncle John's Band
Dec. 31, 1972
Winterland Arena

Uptempo, powerful, strong vocals. This is top shelf UJB. With David Crosby for that extra oomph, and with a tigh outro, it's strangely not here yet.
4
Jack Straw
Dec. 31, 1972
Winterland Arena

Like every other song in the first set, this is just pristine, air-play level perfection. Beautiful fills by Keith here, too.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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