headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

3
Mississippi Halfstep Uptown Toodeloo
Oct. 30, 1972
Ford Auditorium

A solid, sweet rocker. Seems like MHUT had matured in '72 by this point to the stand-alone anchor that it remained until the end.
2
Candyman
Oct. 30, 1972
Ford Auditorium

The total package, with everything this song was meant to have: Sadness, menace, self-consciousness, braggadocio, regret. A beautiful performance.
3
Truckin'
Oct. 30, 1972
Ford Auditorium

Hot steam. Starting around 5:30 Jerry blisters the world with fire.
3
Box of Rain
Oct. 30, 1972
Ford Auditorium

Levels all a bit off, AUD a bit murky, but damned if this isn't the most glorious ensemble yowp this song can be. Joyous and loving: It's all there.
5
China Cat Sunflower -> I Know You Rider
Oct. 30, 1972
Ford Auditorium

Brilliant, crisp ideas and tight ensemble playing on a warm Bear AUD. Just exactly perfect.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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