headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

6
Stella Blue
Aug. 22, 1972
Berkeley Community Theatre

How in this magic week did this powerhouse version with perfect vocals not yet get voted up? Give a spin, you aren't going to regret it.
4
Friend of the Devil
Aug. 22, 1972
Berkeley Community Theatre

Perfection. They could do no wrong this week, and this FOTD is no exception. Perfection.
4
Loser
Aug. 22, 1972
Berkeley Community Theatre

Tight ensemble playing with perfect sound. This is one of the great shows of the year.
7
Feelin' Groovy Jam
May 19, 1974
Portland Memorial Coliseum

Already listed as the CC>IKYR, but this jam stands on its own. One of the tightest from start to finish.
4
Uncle John's Band
Aug. 21, 1972
Berkeley Community Theater

Brilliant outro and high-energy version, a bit more up-tempo than others from the time. All-round sweet show, overshadowed by other giants of Aug. '72
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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