headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

1
Big Railroad Blues
Dec. 31, 1970
Winterland Arena

Not on the list, but hidden in an unfortunately cut Easy Wind. Tinny recording but killer, fast, and furious jamming.
7
Smokestack Lightnin'
Dec. 28, 1970
Legion Stadium

Soulful pure blues. This is an intimate, informal show. It ain't slick, and that's just fine.
1
Playin' In The Band
April 15, 1971
Allegheny College

Only 2 months old, and 22nd time: They were working hard on it, and you can hear the explosive potential. Manic warbler mode, Main 10 at the surface.
1
Truckin'
Dec. 28, 1970
Legion Stadium

Tight simmering burner here, with nice Bobby/Jerry mix levels. Pig on organ is a little lost, so try headphones for some fun.
1
Me and Bobby McGee
Dec. 27, 1970
Legion Stadium

Starts simple and grows into a triumph. Can't help but think these meant a lot to the boys right after JJ's passing. Beautiful.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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