headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

3
China Cat Sunflower -> I Know You Rider
Oct. 23, 1970
McDonough Arena - Georgetown University

Fun, tight version with great energy and tight vocals. Fun stuff.
1
Hard to Handle
Oct. 23, 1970
McDonough Arena - Georgetown University

Begins sounding like the epic hard charging beast it becomes over the next months.
2
Not Fade Away
Oct. 17, 1970
Cleveland Music Hall

The NFA>GDTRFB>NFA sequence in its infancy: 3rd time played, and remarkably smooth and perfect transitions with exuberant jamming.
3
The Other One
Oct. 17, 1970
Cleveland Music Hall

Super-charged hard rocker here. Hits all the 1970 highlights, with power and precision: a white knuckler. Tape is rough AUD, w/ C. Miller cleanup.
2
Hurts Me Too
Oct. 17, 1970
Cleveland Music Hall

One of Pig's best: Perfect vox, great harp solo. Jerry too. Some tape issues, but thanx Mr. Miller... thanks a lot.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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