headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

4
Long Black Limousine
Jan. 31, 1970
The Warehouse

Showcases their versatility: Switched mid-way through an electric set into this moody beauty after Phil's amp blew out. Gorgeous.
3
Hard to Handle
Jan. 31, 1970
The Warehouse

More like the great '71s than the others from 1970. A hard enough rocker that it apparently nuked Phil's amp, leading to a wonderful acoustic set.
10
Dire Wolf
Jan. 31, 1970
The Warehouse

Introduced as a "paranoid fantasy song", but oh so sweet for all that. Perfect rendition.
13
Not Fade Away
Oct. 3, 1976
Cobo Arena

Part of an epic jam, plus an enormous China Cat tease at 10:45 in a 5-year spell without them. Very interesting groove, too.
7
Mason's Children
Jan. 31, 1970
The Warehouse

For anyone with a soft spot for psychedelic bubblegum, the jam the shit out of this one. Ruff cut in the middle though.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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