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Carrion_Crow

Stealth Head

+49667


Submissions

8
St. Stephen
Feb. 4, 1970
Family Dog at the Great Highway

Very cool NFA sandwich. It works well this way.
4
Dire Wolf
Feb. 1, 1970
The Warehouse

Starts with the chorus instead of the verse and a funny banter intro. Sweet version.
5
Katie Mae
Jan. 31, 1970
The Warehouse

As deep and simple a beautiful blues as they ever did. Pig's got the spirit of the Delta here alright. What a treat.
6
I've Been All Around This World
Jan. 31, 1970
The Warehouse

Simply gorgeous.
5
Little Sadie
Jan. 31, 1970
The Warehouse

Upvote for all Little Sadies, of course, but this one is special. Subtle, understated, and delicate: Jerry is barely whispering the lyrics. Beautiful.

Comments

Mountain Jam
July 28, 1973
Grand Prix Racecourse

Well this is just a thing of great beauty that every head should hear. It's rightly famous and legendary. We'd hear stories about this day from old heads still on the tour fifteen years later.
Playin' In The Band
Sept. 28, 1976
Onondaga County War Memorial

I don't think this PiTB stands so much on its own, but because it book-ends a hour-plus of musical brilliancy, it really adds something. The outro definitely kicks ass, though.
Eyes Of The World
Sept. 28, 1976
Onondaga County War Memorial

Anybody here heard the "Ethiopiques" series of extremely cool Ethiopian jazz and jazz-rock from the 1970s? There's some brilliant stuff there, which fits right into that feedback loop between the Dead, Miles Davis '74, and the spacey-weirdness of Blues for Allah. This Orange Tango sounds like it could fit right in with that series - and I have zero doubt that our boys were aware of that sound.
The Wheel
Sept. 28, 1976
Onondaga County War Memorial

It's almost like they rushed out of the Playin' to get to this luscious beauty of a Wheel. It's long, full of delicious jam, and sounds like a sweet dreamish ride down a smooth highway while drifting off under comfortable blankets.
Let It Grow
Sept. 28, 1976
Onondaga County War Memorial

So brilliant: I'd take this one to a desert island. Compared to the one on the 25th, this one is so much tighter at an even faster tempo. It never feels rushed, even though it's blazingly fast. Everything said about Phil on this is spot on. But listen closely to Mickey and Billy, especially around minute 08:00 and you know this is pure orchestral synchronicity. The transition into a 1st set GDTRFM is magical, plus you can pull this out for any stick-in-the-mud who complains that '76 is "too slow".