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Carrion_Crow

Stealth Head

+49667


Submissions

17
Good Lovin'
Dec. 31, 1978
Winterland Arena

Blissful dancealong. As clear a statement of what the good times feeling of the later Donna era could sound like. Nice times.
17
Drums
Dec. 31, 1978
Winterland Arena

19 minutes, man it gets weird: whistles, gamelans, melodica solo, bird calls, kazoos, explosions: was every one in on the jam? Anyone remember?
6
Playin' In The Band
Oct. 23, 1971
Easttown Theatre

Adrenaline bursting hard driver. Exciting. Jerry at 3:00 solos in all 720 degrees, just propulsive. Give her a spin.
21
Not Fade Away
May 3, 1972
Olympia Theater

Flawless trance-inducing NFA with a perfect transition into GDTRFB. Note for note perfect show.
10
Sing Me Back Home
Sept. 10, 1972
Hollywood Palladium

Perfect. May have the best vocal harmonies of all of them. Not here because of low-level boards? Try headphones, heads.
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Comments

Might As Well
May 1, 1977
The Palladium

Cogent, purposeful solos and high-octane vocals over this totally switched-on show opener. And when they opened with Might As Well it always felt like they meant business and were ready to start the party.
Not Fade Away
April 30, 1977
The Palladium

In the second half Jerry flips a switch and becomes the swamp thing. He chases you around the bayou in a filthy filthy jam before scrubbing right up and switching back from the demonic to the angelic for >Stella. If this doesn't get you moving you should check your pulse.
St. Stephen
April 30, 1977
The Palladium

Tight first-half, nice melodious harmonies, and a forward-moving muscular pulse that distinguishes it from some of the slower sleepy and (let's admit) sloppier 'second-era Stephens'. Plus the sandwich is freaking cool. The NFA is hot shit, and the Stella-in-the-Middle>reprise is totally unexpected. Part of a brilliant second set that just goes bonkers from note one.
Mississippi Halfstep Uptown Toodeloo
April 30, 1977
The Palladium

Screamingly good jam before the Ri-o Grande out-chorus that amps up and up and up. It will transport you through time if you let it. And then it does it again, and you can float downriver all the way back home. This one took the lucky heads in attendance very far out and back and it may just be my new favorite ever. Jerry's melodicism and solo ideas are precise, virtuosic and perfect, and Keith, when he kicks in towards the end will steal your face. Just put it on repeat, it's that good.
Pretty Peggy O
April 30, 1977
The Palladium

Not always the first song I look for in a setlist, but this one stands out and deserves the praise heaped on it here. Jerry's vox and soloing is sublime.
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