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Carrion_Crow

Stealth Head

+49667


Submissions

2
Big Railroad Blues
Aug. 15, 1971
Berkeley Community Theater

Kicks off an excellent show with intense and driving energy. The quintet is super-charged and bursting with energy. One of the best versions I know.
2
Playin' In The Band
Aug. 14, 1971
Berkeley Community Theater

Packs a lot into its 4.5 short minutes. Great bass-heavy SBD gives you a Phil masterclass. Love the short ones, love the long ones....
4
Casey Jones
Aug. 5, 1971
Hollywood Palladium

Just kickin', this one. The whole show is dynamite.
2
El Paso
Aug. 4, 1971
Terminal Island Correctional Facility

One of the slower waltz versions, with lovely vocals from Cowboy Bob, who gives us a nice country warble. Sweet backup harmony and Jer being Jer.
6
China Cat Sunflower -> I Know You Rider
Aug. 4, 1971
Terminal Island Correctional Facility

Philzone masterclass. Hot and tight jam, the Rider three-part harmonies sound like some of the acoustic versions from the previous year.
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Comments

Might As Well
May 1, 1977
The Palladium

Cogent, purposeful solos and high-octane vocals over this totally switched-on show opener. And when they opened with Might As Well it always felt like they meant business and were ready to start the party.
Not Fade Away
April 30, 1977
The Palladium

In the second half Jerry flips a switch and becomes the swamp thing. He chases you around the bayou in a filthy filthy jam before scrubbing right up and switching back from the demonic to the angelic for >Stella. If this doesn't get you moving you should check your pulse.
St. Stephen
April 30, 1977
The Palladium

Tight first-half, nice melodious harmonies, and a forward-moving muscular pulse that distinguishes it from some of the slower sleepy and (let's admit) sloppier 'second-era Stephens'. Plus the sandwich is freaking cool. The NFA is hot shit, and the Stella-in-the-Middle>reprise is totally unexpected. Part of a brilliant second set that just goes bonkers from note one.
Mississippi Halfstep Uptown Toodeloo
April 30, 1977
The Palladium

Screamingly good jam before the Ri-o Grande out-chorus that amps up and up and up. It will transport you through time if you let it. And then it does it again, and you can float downriver all the way back home. This one took the lucky heads in attendance very far out and back and it may just be my new favorite ever. Jerry's melodicism and solo ideas are precise, virtuosic and perfect, and Keith, when he kicks in towards the end will steal your face. Just put it on repeat, it's that good.
Pretty Peggy O
April 30, 1977
The Palladium

Not always the first song I look for in a setlist, but this one stands out and deserves the praise heaped on it here. Jerry's vox and soloing is sublime.
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