headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+47895


Submissions

7
Candyman
Aug. 2, 1976
Colt Park

What a treat. Why is this show undervalued? C'mon folks, don't let a good AUD scare you. This is a beaut, with the crowd part of the party.
3
They Love Each Other
Aug. 2, 1976
Colt Park

Highlight from the first set. Keith sets it on fire. Jerry is in top form.
3
Tennessee Jed
Aug. 2, 1976
Colt Park

The '76 ones ted to plod along a bit too much for my taste, but Jerry tears this one right up with a good shitkickin' solo and great tone.
2
Mama Tried
Aug. 2, 1976
Colt Park

Continues the run of perfect Mamas from the Summer tour. This one is short and sweet, perfect vocals.
2
Samson and Delilah
July 18, 1976
Orpheum Theater

Full of strut. The band is in perfect form, everyone is on. Precise, strong, and full of swagger.

Comments

Ship of Fools
April 25, 1977
Capitol Theater

Sweet treat indeed. Jerry's voice is perfectly rescued in the C.Miller upgrade, and the band is a graceful waterfall behind him.
Lazy Lightnin' -> Supplication
April 25, 1977
Capitol Theater

Nice angular sparkle to the whole jam here.
Deal
April 25, 1977
Capitol Theater

Hot streak. This and the NMB before it just come ready to party. We know in retrospect the wall-to-wall peaks from April-May '77 but can you put yourself in the scene and imagine thinking... what the fuuuuuuuuuuuuuck just happened? Weren't these guys mellow just a few months ago?
Not Fade Away
April 23, 1977
Springfield Civic Center

Kieth continues his visit from the future experimenting with synthnoise settings that could have easily been from the ten years later. Set's a cool groove with what sounds like a Moog/DX7 and Hammond Organ rig around 5 minutes in while Jerry and Bobby are slowly boiling everybody's brains for what must have been a long strange trip to round out the set.
Goin' Down The Road Feelin' Bad
April 23, 1977
Springfield Civic Center

This one really deserves its spot on the front page, even for a a song played 300 times more or less over the years. Like much of this show it seems tentative at times but of a sudden turns just colossally confident. The oomph that everyone mentions is real, and they orchestrate the highs and lows to perfection.