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Carrion_Crow

Stealth Head

+47600


Submissions

2
Cream Puff War
July 17, 1966
Fillmore Auditorium

A rip-snortin' wild ride. Not as stretched out as the day before, but still an explosive starting pistol at the earliest days of the Dead.
1
High Heeled Sneakers
June 1, 1966
Owsley's House (rehearsal)?

Rare and obscure, on the Archive at gd1966-06-01.136642.watts.sbd.mr.dat48k.sirmick.flac16
2
I Know You Rider
March 12, 1966
Danish Center

Still in its infancy, but listen to Jerry swarming all over it like ten thousand honey bees. Lightning fast, almost a "let's do this for 50 years".
3
Who Do You Love
March 9, 1966
Owsley's House (rehearsal)

Pig is on fire and the band revs to 6000 rpm. Jerry's tone is a shredding crisp fist full of razor blades.
2
Samson and Delilah
Oct. 15, 1976
Shrine Auditorium

Lickety split drummer precision here and a stylin' strut in the heart of a great 2nd set.
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Comments

Eyes Of The World
June 20, 1974
The Omni

It's been a long time since I dipped back into this tour and wow. This is a gem. It has that unmistakeable drive and power of the great '74s and some of Phil's best soloing. What a powerful statement. With that tight odd-metered outro (7/8 + 7/8 + 6/8 I think, maybe... though I'll be damned if I've ever figured it out) I can fully understand why they might have been thinking about an eventual Eyes>Slipknot combination, but this is it, really. Did they ever develop this knuckle-busting combo any further?
Cassidy
April 23, 1977
Springfield Civic Center

I feel like this might be the first moment in the year when you can really hear how categorically they changed their ensemble concept from '76 to '77.
Sugaree
April 23, 1977
Springfield Civic Center

How bold is it to OPEN with Sugaree? At its fastest this is a mid-tempo swing and it is - by my memories - somewhat notorious for pulling down the vibe when they kicked off too slow. Not this puppy. It's got a strong pulse and grooves from note one. And Jerry means business from the jump. His solos are pristine lines of inspiration. Also: Note one is the tinkling homage to Dylan's "Everyone Must Get Stoned", undoubtedly. Have a listen on the C. Miller version and tell me I'm wrong!
The Wheel
April 22, 1977
The Spectrum

The Wheel was always good medicine. This one starts like a mirage on a hot highway fluttering in the distance, then coalesces into a perfect form, just perfect before that really really pristine Lady With a Fan section of Terrapin. As much as I love this show, this is the first part of the set where they're really playing as one. The S>F is super loose and as cool as the Dancin' is, they seem to struggle to hit the bridge. But this... this is gooood medicine.
Got My Mojo Working
April 22, 1977
The Spectrum

I think this hardly counts as a Mojo. It really never ever coalesces around the song but is really just a riff/vamp within the Dancin'.
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