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Carrion_Crow

Stealth Head

+49652


Submissions

3
China Cat Sunflower -> I Know You Rider
Oct. 23, 1970
McDonough Arena - Georgetown University

Fun, tight version with great energy and tight vocals. Fun stuff.
1
Hard to Handle
Oct. 23, 1970
McDonough Arena - Georgetown University

Begins sounding like the epic hard charging beast it becomes over the next months.
2
Not Fade Away
Oct. 17, 1970
Cleveland Music Hall

The NFA>GDTRFB>NFA sequence in its infancy: 3rd time played, and remarkably smooth and perfect transitions with exuberant jamming.
3
The Other One
Oct. 17, 1970
Cleveland Music Hall

Super-charged hard rocker here. Hits all the 1970 highlights, with power and precision: a white knuckler. Tape is rough AUD, w/ C. Miller cleanup.
2
Hurts Me Too
Oct. 17, 1970
Cleveland Music Hall

One of Pig's best: Perfect vox, great harp solo. Jerry too. Some tape issues, but thanx Mr. Miller... thanks a lot.

Comments

Might As Well
May 1, 1977
The Palladium

Cogent, purposeful solos and high-octane vocals over this totally switched-on show opener. And when they opened with Might As Well it always felt like they meant business and were ready to start the party.
Not Fade Away
April 30, 1977
The Palladium

In the second half Jerry flips a switch and becomes the swamp thing. He chases you around the bayou in a filthy filthy jam before scrubbing right up and switching back from the demonic to the angelic for >Stella. If this doesn't get you moving you should check your pulse.
St. Stephen
April 30, 1977
The Palladium

Tight first-half, nice melodious harmonies, and a forward-moving muscular pulse that distinguishes it from some of the slower sleepy and (let's admit) sloppier 'second-era Stephens'. Plus the sandwich is freaking cool. The NFA is hot shit, and the Stella-in-the-Middle>reprise is totally unexpected. Part of a brilliant second set that just goes bonkers from note one.
Mississippi Halfstep Uptown Toodeloo
April 30, 1977
The Palladium

Screamingly good jam before the Ri-o Grande out-chorus that amps up and up and up. It will transport you through time if you let it. And then it does it again, and you can float downriver all the way back home. This one took the lucky heads in attendance very far out and back and it may just be my new favorite ever. Jerry's melodicism and solo ideas are precise, virtuosic and perfect, and Keith, when he kicks in towards the end will steal your face. Just put it on repeat, it's that good.
Pretty Peggy O
April 30, 1977
The Palladium

Not always the first song I look for in a setlist, but this one stands out and deserves the praise heaped on it here. Jerry's vox and soloing is sublime.