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Carrion_Crow

Stealth Head

+49667


Submissions

7
Goin' Down The Road Feelin' Bad
April 1, 1984
Marin County Veterans Auditorium

Steps out unexpectedly from an almost-aborted Miracle. Tight and right jamming.
6
Mexicali Blues
April 1, 1984
Marin County Veterans Auditorium

Jerry's restatements of the melody throughout his solos are brilliant uptempo marvels.
21
Playin' In The Band
June 14, 1976
Beacon Theatre

Beautiful, comprehensive statement of where Playin' was at in the beginning of the post-hiatus '76 sound. 20 minutes of love.
28
Might As Well
June 14, 1976
Beacon Theatre

Lotsa fun rocker with the louche touch becoming of the song. Did Donna ever sound better than Summer '76?
4
The Music Never Stopped
June 3, 1976
Paramount Theatre

This one's got the goods. Doesn't shred-out at the end, but tight playing, and great vocals all around.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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