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Carrion_Crow

Stealth Head

+49667


Submissions

4
Bird Song
Feb. 24, 1971
Capitol Theater

Super loose in the joints and fun. They seem to be searching for the '71 sound throughout the run here but I like this one.
1
Sugar Magnolia
Feb. 23, 1971
Capitol Theater

High powered and super charged. The last third of the first set is a real killer.
12
Wharf Rat
Feb. 21, 1971
Capitol Theater

Not the best show, but the best Rat of this run. 4th ever, but the first one to stretch out and become its full self.
6
Playin' In The Band
Feb. 21, 1971
Capitol Theater

Want to be present at its birth? The infant Bacchus emerges. I love this song. This is the 1st time they nail it.
7
The Other One
Feb. 20, 1971
Capitol Theater

Passes through many phases, always exploring new riffs and hinting at further jams without ever losing its essential feeling and sound. Great stuff.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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