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Carrion_Crow

Stealth Head

+49677


Submissions

20
Playin' In The Band
April 29, 1972
Musikhalle

A mysterious beauty. Understated, elegant, and crystal clear, but shredding and fun. A nice little gem.
44
Truckin'
April 26, 1972
Jahrhunderthalle

Hard rocker. Great interplay and the band at the top of their '72 game. "No. 1 in Turlock, and that's a fact". - Bobby.
30
He's Gone
April 26, 1972
Jahrhunderthalle

Uptempo, almost a shuffle, like the best of the '72s. High energy 1st set.
7
The Other One
April 5, 1971
Manhattan Center

Powerful version with insane Phil muscular bass kicking into a sweet Wharf Rat. A gem of a show.
14
Let It Grow
June 23, 1974
Jai-Alai Fronton

Sneaks up calm then hits critical mass: Suddenly you are the blade of grass, the dew on the crops, the explosive heat of summertime. Love it.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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