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Carrion_Crow

Stealth Head

+49707


Submissions

13
Sugar Magnolia
June 24, 1970
Capitol Theatre

2nd ever in a triple Dark Star sandwich. Choral singing, not fully developed but part of some of the best damned Dead you'll ever hear. Believe me.
9
Don't Ease Me In
June 24, 1970
Capitol Theatre

Acoustic version, beautiful and tight. Don't miss the acoustic set in the rush to the late show.
6
Brown Eyed Women
July 25, 1974
International Amphitheater

Energetic and tight with great harmonies and strong soloing.
7
Black Throated Wind
July 25, 1974
International Amphitheater

Damned strong version building up nicely to the towering triumph, "you've done better by me than I've done by you". Strong stuff.
11
Deal
Oct. 2, 1977
Paramount Theatre

Bursting energy ending the 1st set in blazing glory. The shout chorus is outrageously hot. Has to be one of Donna's best nights ever.

Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.