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Carrion_Crow

Stealth Head

+49742


Submissions

6
Mississippi Halfstep Uptown Toodeloo
July 27, 1973
Grand Prix Racecourse

The boys seem to love playing in unanounced, unstructred jams like this. Freedom reminiscent of some '67-69's but with the '73 songlist.
30
Sugaree
Dec. 16, 1978
Nashville Municipal Auditorium

Rippin' show opener with Bobby twang sliding and a 2nd Jerry solo taking it up and over the top. Plus its Nashville.
5
Big River
July 27, 1973
Grand Prix Racecourse

Turns typical 1st set filler into a great jam. One of Keith's best solos of Summer '73.
13
The Other One
July 1, 1973
Universal Amphitheatre

Cool and fast w/ 12min jam before 1st (and only) verse. At 08:30 Phil goes teases what sounds like Milking the Turkey. Is that possible?
9
Loose Lucy
July 1, 1973
Universal Amphitheatre

A greasy gritty super-funk sex parade. Wasn't often the Dead sounded this horny after Pigpen died.

Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.