headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

8
Playin' In The Band
Dec. 11, 1972
Winterland Arena

Expansive and spacious with brilliant flashes. Has a few bad AUD patches in need of a fix but well worth the ride.
7
Friend of the Devil
Dec. 11, 1972
Winterland Arena

Short and sweet. Not lickety-split quick pickin' à la 1970-71 and certainly not a slow-as-cold-molasses 80's style either, but nice and right. A gem.
6
Me and Bobby McGee
Dec. 11, 1972
Winterland Arena

Unique version. Great vocals with Jerry singing backup. Classic '72 sound.
4
Good Lovin'
Jan. 3, 1970
Fillmore East

Back from when this wasn't just a toss-off after Drums/Space. High voltage Pig.
3
Cosmic Charlie
Jan. 3, 1970
Fillmore East

Not mellow. Not spaced-out sweetness, but a burning hot re-entry after a rocketship TOO.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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