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Carrion_Crow

Stealth Head

+49777


Submissions

13
Playin' In The Band
March 15, 1973
Nassau Coliseum

Long and adventurous and moody (24+ min). First concert after Pig died. You can hear their sadness in places.
43
Eyes Of The World
Feb. 28, 1973
Salt Palace

Soaring and majestic. Melodic soloing and tight group work. Unfortunately incomplete on the archive. Where is the rest?
48
Box of Rain
Feb. 28, 1973
Salt Palace

The band is playing all over this version. Great collective jam, Jerry and Keith sound great despite sound quality problems.
10
Cold Rain and Snow
Feb. 28, 1973
Salt Palace

High energy, tight and exuberent show opener on this epic (DP28) last night in one of the great months in Dead history.
4
Tennessee Jed
Feb. 24, 1973
University of Iowa

Balls out. Everyone on fire. Every song in this show is brilliant. Where's the rest of the show???
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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