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Carrion_Crow

Stealth Head

+49652


Submissions

3
Dancin' in the Streets
Dec. 17, 1970
The Matrix

Questionable date, but unquestionably amazing. A great classic jam with a near-perfect recording for the time. A++
2
Morning Dew
Nov. 29, 1970
Club Agora

Rough AUD, but showcases a brilliant and intense buildup enhanced by what sounds like a Hammond B3. Deserves a cleanup, as much of 11.70 does.
2
Goin' Down The Road Feelin' Bad
Nov. 20, 1970
The Palestra, U. of Rochester

Beautiful jam here, with some great Jerry fuzztone soloing.
1
China Cat Sunflower -> I Know You Rider
Nov. 20, 1970
The Palestra, U. of Rochester

Nice warm AUD for the era, with a sparkling CCS and great transition into IKYR.
1
The Other One
Nov. 23, 1970
Anderson Theatre

Whether it's the 16th or the 23rd, it's a real humdinger. Perfect transition out of Truckin'.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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