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Carrion_Crow

Stealth Head

+49667


Submissions

3
China Cat Sunflower -> I Know You Rider
Oct. 17, 1970
Cleveland Music Hall

Multigen sound quality, but unmistakenly tight jam with a sweet transition.
3
Doin' That Rag
Jan. 24, 1969
Avalon Ballroom

Song was brand new and they're searching for the sound, almost goes into a Violaesque jam. Transitional, hot stuff.
5
Death Don't Have No Mercy
Jan. 17, 1969
Civic Auditorium

Deep and mournful, with great organ fills and group soloing. Very solid.
6
St. Stephen
June 7, 1969
Fillmore West

Massively crunching Stephen with Jer's tone like a machinegunbuzzsaw. Out of a killer DS too. Why no love yet?
1
Sugar Magnolia
Sept. 17, 1970
Fillmore East

Something happened to the song between August and September, and this is the "first" Sugar Mag that resembles the song we know, now it's tight.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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