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Carrion_Crow

Stealth Head

+49667


Submissions

2
Candyman
May 14, 1970
Merramec Community College

Almost a prayer. Stripped down, pure, harmonized and beautiful. Fans of the acoustic Candyman shouldn't pass this one by.
3
Don't Ease Me In
May 14, 1970
Merramec Community College

Sweet and solid show opener. A pure expression of the peak '70 year sound. Strap in and enjoy the show....
4
Sawmill
May 7, 1970
DuPont Gym - MIT

Yeehaw, but that's a sweet rare tune. Put Sawmill next to Slewfoot for gems from the era. Awesome stuff.
4
Uncle John's Band
May 7, 1970
DuPont Gym - MIT

An acoustic lovely. I think DG is there on backup. It's rough-hewn, like just a couple offriends jamming on the verge of the bad crazy 1970s.
12
Uncle John's Band
May 1, 1970
Alfred College

Acoustic wow factor, with beautiful harmonies. Unfortunate gap towards the end, but worth it still.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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