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Carrion_Crow
Stealth Head
+49667
Submissions
4
Tennessee Jed
Oct. 24, 1971
Easttown Theatre
Muscular and punchy. Jer sings it right on: kicked my eye and kicked my dog, midnight train. Energy reigns.
1
Goin' Down The Road Feelin' Bad
Oct. 23, 1971
Easttown Theatre
Contains everything and could stand alone as an epic GDTRFB, even as part of its trad NFA sammy. Great speed work from everyone, builds and builds.
2
Tennessee Jed
Oct. 23, 1971
Easttown Theatre
"Kicked my eye and he blacked my dog". Like others this night, the vibe is aggressive and rowdy, knifey jagged soloing, this one's a killer.
4
Me and My Uncle
Oct. 23, 1971
Easttown Theatre
Introduced as"kind of a death and destruction song", which tells you all you need to know.
2
Cumberland Blues
Oct. 23, 1971
Easttown Theatre
Outrageous, hot, and pumped up. Should have been of this list a long time ago.
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Comments
Comes A Time
July 17, 1976
Orpheum Theatre
Listening again (and again and again) to that gentle lilting jam, and I'm more convinced now that you could describe it as a long teasing intro into the TOO that they finally reach after drums. It isn't TOO in the power-acid rollercoaster cannon shot, but right around 07:30 Keith switches up the chord changes and the drums switch from 12/8 feel (regular triplets over the 4/4 of the main melody) into a clear 6/8 (the meter of TOO). Jerry picks it up right away and turns his flutter of a butterfly wing solo into a rock waltz. By 09:40 Phil and Bobby are pushing it into uncharted territory (it almost sounds like the stuff Joni Mitchell would do with Jaco Pastorius starting the same year) but somehow TOO is already in the air, gently, touched by that beautiful '76 understatement. It's only in the last few seconds before Drums that they spell it out completely. What beauty!
Samson and Delilah
July 17, 1976
Orpheum Theatre
Soloing is brilliant, and the jam almost lifts off into the Dancing in the Streets territory of the era.
Sugaree
July 17, 1976
Orpheum Theatre
Wasn't too convinced at first by this one. It drags a bit during the first minutes, but then, oh lord, hold on tight because you're about to lose your face. Kicks up around 06:30 min in.
Mississippi Halfstep Uptown Toodeloo
July 17, 1976
Orpheum Theatre
Real love here between Jerry and Keith. Different mixes to chose from, but I'm enjoying the Tetzeli Soundboard. Bobby's a bit lost, but otherwise great separation and a clear sound. Keith is clear and glorious.
King Solomon's Marbles
July 16, 1976
Orpheum Theatre
Not a KSM. A very cool jam indeed, but doesn't have the melody, structure, meter, polyrhythms or form of KSM. There are arguably thematic riffs in common, but if I had to say, I'd say this is erroneously marked.
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