headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49712


Submissions

26
The Other One
Oct. 29, 1973
Kiel Auditorium

A massive, heavy, rocketship of a performance: Explosive liftoff, mining expedition to deep space, smoking craters, then a long sweet fast ride home.
13
Brokedown Palace
Oct. 29, 1973
Kiel Auditorium

A beautifully rendered rare treat with a nice emotional arc and sweet harmonies.
5
Tennessee Jed
Oct. 27, 1973
Indianapolis State Fair Coliseum

Hot building and building jam. One of those shows where just every song rocks. Nothing wrong here...
5
Bertha
Oct. 27, 1973
Indianapolis State Fair Coliseum

Great solos, tight ensemble playing kicking of the 2nd set from a great show. Energetic and blazing.
6
They Love Each Other
Oct. 27, 1973
Indianapolis State Fair Coliseum

Tight and right. The band is charged up and having fun together. Great energy.

Comments

Comes A Time
July 17, 1976
Orpheum Theatre

Listening again (and again and again) to that gentle lilting jam, and I'm more convinced now that you could describe it as a long teasing intro into the TOO that they finally reach after drums. It isn't TOO in the power-acid rollercoaster cannon shot, but right around 07:30 Keith switches up the chord changes and the drums switch from 12/8 feel (regular triplets over the 4/4 of the main melody) into a clear 6/8 (the meter of TOO). Jerry picks it up right away and turns his flutter of a butterfly wing solo into a rock waltz. By 09:40 Phil and Bobby are pushing it into uncharted territory (it almost sounds like the stuff Joni Mitchell would do with Jaco Pastorius starting the same year) but somehow TOO is already in the air, gently, touched by that beautiful '76 understatement. It's only in the last few seconds before Drums that they spell it out completely. What beauty!
Samson and Delilah
July 17, 1976
Orpheum Theatre

Soloing is brilliant, and the jam almost lifts off into the Dancing in the Streets territory of the era.
Sugaree
July 17, 1976
Orpheum Theatre

Wasn't too convinced at first by this one. It drags a bit during the first minutes, but then, oh lord, hold on tight because you're about to lose your face. Kicks up around 06:30 min in.
Mississippi Halfstep Uptown Toodeloo
July 17, 1976
Orpheum Theatre

Real love here between Jerry and Keith. Different mixes to chose from, but I'm enjoying the Tetzeli Soundboard. Bobby's a bit lost, but otherwise great separation and a clear sound. Keith is clear and glorious.
King Solomon's Marbles
July 16, 1976
Orpheum Theatre

Not a KSM. A very cool jam indeed, but doesn't have the melody, structure, meter, polyrhythms or form of KSM. There are arguably thematic riffs in common, but if I had to say, I'd say this is erroneously marked.