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Carrion_Crow

Stealth Head

+49652


Submissions

2
Sugaree
Nov. 22, 1972
Austin Municipal Auditorium

Fantastic show opener, meaning business straight out of the gate. Solid, swinging pulse and great keywork from Keith.
7
Big Railroad Blues
Nov. 19, 1972
Hofheinz Pavilion

Powerfully locomotive version with lots of fun behind it.
3
Mexicali Blues
Nov. 19, 1972
Hofheinz Pavilion

Extra pop and stomp all over this one.
4
Me and Bobby McGee
Nov. 15, 1972
Oklahoma City Music Hall

Not everyone's favorite song, but I love it. This is an uptempo, airplay-tight, and beautifully sung version. Faster than most.
3
Big Railroad Blues
Nov. 15, 1972
Oklahoma City Music Hall

Turns on a dime from the cerebral extended PiTB jam into a coal-burnin' tight jam with force and power. Hot stuff showing off their limitless range.

Comments

Comes A Time
July 17, 1976
Orpheum Theatre

Listening again (and again and again) to that gentle lilting jam, and I'm more convinced now that you could describe it as a long teasing intro into the TOO that they finally reach after drums. It isn't TOO in the power-acid rollercoaster cannon shot, but right around 07:30 Keith switches up the chord changes and the drums switch from 12/8 feel (regular triplets over the 4/4 of the main melody) into a clear 6/8 (the meter of TOO). Jerry picks it up right away and turns his flutter of a butterfly wing solo into a rock waltz. By 09:40 Phil and Bobby are pushing it into uncharted territory (it almost sounds like the stuff Joni Mitchell would do with Jaco Pastorius starting the same year) but somehow TOO is already in the air, gently, touched by that beautiful '76 understatement. It's only in the last few seconds before Drums that they spell it out completely. What beauty!
Samson and Delilah
July 17, 1976
Orpheum Theatre

Soloing is brilliant, and the jam almost lifts off into the Dancing in the Streets territory of the era.
Sugaree
July 17, 1976
Orpheum Theatre

Wasn't too convinced at first by this one. It drags a bit during the first minutes, but then, oh lord, hold on tight because you're about to lose your face. Kicks up around 06:30 min in.
Mississippi Halfstep Uptown Toodeloo
July 17, 1976
Orpheum Theatre

Real love here between Jerry and Keith. Different mixes to chose from, but I'm enjoying the Tetzeli Soundboard. Bobby's a bit lost, but otherwise great separation and a clear sound. Keith is clear and glorious.
King Solomon's Marbles
July 16, 1976
Orpheum Theatre

Not a KSM. A very cool jam indeed, but doesn't have the melody, structure, meter, polyrhythms or form of KSM. There are arguably thematic riffs in common, but if I had to say, I'd say this is erroneously marked.