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Carrion_Crow
Stealth Head
+49652
Submissions
31
Cold Rain and Snow
Aug. 25, 1972
Berkeley Community Theatre
Kicks off arguably the best show of '72. Tight, fun, and rockin'. Great show opener.
3
Greatest Story Ever Told
Aug. 24, 1972
Berkeley Community Theatre
If this were any week in Dead history other than before Veneta, it would already have 20 votes. Give it a listen. The whole show rocks.
2
Me and My Uncle
Aug. 24, 1972
Berkeley Community Theatre
Keith's versatility from swooshing psychedelic soarer to a honky-tonk barrelhouse master is on full display.
5
Jack Straw
Aug. 24, 1972
Berkeley Community Theatre
Pretty much note for note perfect, like this whole show.
4
Sugaree
Aug. 24, 1972
Berkeley Community Theatre
Sweet rocker from this magical week of Dead perfection. Sleek and clean, this is a beaut of a version.
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Comments
Comes A Time
July 17, 1976
Orpheum Theatre
Listening again (and again and again) to that gentle lilting jam, and I'm more convinced now that you could describe it as a long teasing intro into the TOO that they finally reach after drums. It isn't TOO in the power-acid rollercoaster cannon shot, but right around 07:30 Keith switches up the chord changes and the drums switch from 12/8 feel (regular triplets over the 4/4 of the main melody) into a clear 6/8 (the meter of TOO). Jerry picks it up right away and turns his flutter of a butterfly wing solo into a rock waltz. By 09:40 Phil and Bobby are pushing it into uncharted territory (it almost sounds like the stuff Joni Mitchell would do with Jaco Pastorius starting the same year) but somehow TOO is already in the air, gently, touched by that beautiful '76 understatement. It's only in the last few seconds before Drums that they spell it out completely. What beauty!
Samson and Delilah
July 17, 1976
Orpheum Theatre
Soloing is brilliant, and the jam almost lifts off into the Dancing in the Streets territory of the era.
Sugaree
July 17, 1976
Orpheum Theatre
Wasn't too convinced at first by this one. It drags a bit during the first minutes, but then, oh lord, hold on tight because you're about to lose your face. Kicks up around 06:30 min in.
Mississippi Halfstep Uptown Toodeloo
July 17, 1976
Orpheum Theatre
Real love here between Jerry and Keith. Different mixes to chose from, but I'm enjoying the Tetzeli Soundboard. Bobby's a bit lost, but otherwise great separation and a clear sound. Keith is clear and glorious.
King Solomon's Marbles
July 16, 1976
Orpheum Theatre
Not a KSM. A very cool jam indeed, but doesn't have the melody, structure, meter, polyrhythms or form of KSM. There are arguably thematic riffs in common, but if I had to say, I'd say this is erroneously marked.
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